Trigger warning: The article mentions death. Reader discretion is advised.German filmmaker and author Alexander Kluge has passed away at the age of 94. Kluge, the face of the New German Cinema movement, elevated cinematic collages into an art form and won the top prize at the Venice film festival in 1968. The news of his death in Munich on Wednesday was confirmed by his publisher, The Suhrkamp publishing house.
Alexander Kluge’s legacy in German cinema
Kluge was an accomplished director of intellectually rewarding work and an ever-productive writer of short fiction. He played a key role in organising the rule-breaking New German Cinema movement that brought forth better-known auteurs such as Rainer Werner Fassbinder and Werner HerzogKluge was one of the last living torchbearers of the Frankfurt school of neo-Marxist cultural criticism.
Alexander Kluge’s early life amid world war 2
Born in 1932 in Halberstadt, western Germany, Kluge narrowly survived the bombing of the city by Allied forces on 8 April 1945. After the war he studied law, history and church music at Frankfurt university, where he was mentored by the philosopher Theodor Adorno.After starting to practise as a lawyer, he was increasingly drawn to literature and film. In 1962, he signed the Oberhausen Manifesto which called on the German film industry to break free from shallow tearjerkers and patriotic Heimatfilme.
Alexander Kluge’s remarkable wins at the Venice film festival
Kluge’s ‘Abschied von Gestern’ (released as ‘Yesterday Girl’ in the US) was one of the first films to emerge from the manifesto. The story of a Jewish woman who struggles to settle in West Germany after fleeing from the east was told in a jarring style, using discontinuous sound and a non-sequential narrative. The film won the Silver Lion at the Venice Film Festival, which was the first time a German director earned the honor after World War 2. Kluge shored up his reputation by winning the Golden Lion two years later, with ‘The Artists in the Big Top: Perplexed.’
