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The Popular Story > Blog > Lifestyle > Why Kate Middleton’s 2016 India Tour wardrobe was secretly a “Holy Mess” reveals documentary ‘Kate: A Life in 10 Dresses’ |
Lifestyle

Why Kate Middleton’s 2016 India Tour wardrobe was secretly a “Holy Mess” reveals documentary ‘Kate: A Life in 10 Dresses’ |

By Vinaykant Patel Last updated: March 15, 2026 5 Min Read
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Contents
The India Tour misstepThat didn’t happenAnita Dongre was the only saving grace!A royal wake-up call“A masterclass in diplomatic dressing”
Why Kate Middleton’s 2016 India Tour wardrobe was secretly a "Holy Mess" reveals documentary 'Kate: A Life in 10 Dresses'
A 2016 royal tour to India saw Kate Middleton’s wardrobe criticized as a “holy mess” for its lack of local designer representation. This harsh feedback prompted a significant shift for the 2019 Pakistan visit, where a deliberate embrace of Pakistani brands showcased a masterclass in diplomatic dressing, proving lessons were learned.

When the royals pack their bags for an overseas tour, the outfits aren’t just clothes – they’re soft diplomacy. Every hemline, color choice, and accessory is heavily scrutinized. But even the usually flawless Princess of Wales can miss the mark.If you remember Prince William and Kate’s 2016 tour of India, your mind probably jumps straight to that iconic Taj Mahal photo. It looked picture-perfect. But a new UK documentary on Channel 5, Kate: A Life in 10 Dresses, has just pulled back the curtain to reveal a very different behind-the-scenes reality. Fashion insiders, it turns out, were deeply unimpressed.Here is exactly what went wrong during her Indian visit, and how a rather harsh critique completely transformed her approach to royal dressing.

The India Tour misstep

India boasts one of the most vibrant, historically rich textile and fashion industries on the planet. So, when the Princess touched down, local designers naturally expected a showcase of Indian talent.

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That didn’t happen

Instead of diving into the country’s incredible wealth of fashion, Kate’s styling team played it safe – and surprisingly British. Enter Onita Prasada, the South Asian designer and director of London boutique O’nitaa. Speaking in the new documentary, Prasada didn’t hold back, bluntly labeling Kate’s 2016 tour wardrobe a “holy mess.”

Anita Dongre was the only saving grace!

Why the brutal review? It came down to a glaring lack of representation. While Kate did wear a stunning, colorful midi dress by Indian designer Anita Dongre and a piece from Indian-American designer Naeem Khan, the bulk of her suitcase felt like a missed opportunity. She was heavily photographed in British high-street pieces – think a pink Topshop dress, a maxi from the affordable UK brand Glamorous, and $11 earrings from Accessorize.

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Sure, the British clothes featured South Asian-inspired prints, but they weren’t authentic. Prasada noted her intense disappointment, pointing out that someone on the royal styling team got it “really wrong.” She couldn’t pinpoint a single outfit that genuinely spoke volumes for the fashion actually available in India.

A royal wake-up call

The beautiful thing about a fashion faux pas, though? You can learn from it. And the royal team definitely took notes.Fast forward to 2019. William and Kate were gearing up for another massive South Asian tour, this time to Pakistan. Realizing they couldn’t afford a repeat of the 2016 backlash, the Princess’s team completely overhauled their strategy. They needed expert help, and they knew exactly who to call.Kate’s then-assistant, Natasha Archer, reached out directly to Prasada. The collaboration was extensive. Prasada consulted on the intricacies of Pakistani fashion, guiding the royal team on appropriate color combinations and cultural nuances. She even draped traditional scarves on her own boutique staff, snapping photos to send back to the palace so Kate’s team would know exactly how to style them.

“A masterclass in diplomatic dressing”

The payoff was massive. When Kate stepped off the plane in Pakistan, the British high-street labels were nowhere to be found.Instead, she leaned heavily into authentic, local Pakistani brands. She championed traditional garments by designers like Maheen Khan and Élan. Even her daily accessories were swapped out for pieces from Zeen, essentially the Pakistani equivalent of Accessorize.

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It was a total night-and-day difference from her time in India. The wardrobe felt intentional, respectful, and highly tailored to the host country. Baroness Ayesha Hazarika, also featured in the documentary, praised the 2019 wardrobe as a literal “masterclass in diplomatic dressing.” She noted how enthusiastic the Princess looked about embracing the local culture.It was a brilliant move, proving that the missteps of 2016 weren’t in vain. Sometimes, taking a bit of harsh criticism is exactly what it takes to perfect your signature style on the world stage.



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