The outfit itself had a lot going on, but in the best way. Her kurta came in a deep indigo ajrakh print, a traditional hand-block technique with roots in Sindh and Gujarat. What made it stand out was the detailing – a mix of delicate threadwork and zardozi, with bold geometric chevrons in red and ivory framing the neckline. It almost gave the illusion of a structured waistcoat, adding shape without feeling too rigid.
Instead of going the predictable route with straight pants, she switched things up with a heavily detailed poncha salwar. The vertical stripes and intricate embroidery near the hem added volume and gave the whole look a slightly vintage, regal feel.
