A viral social media post has given film fans a completely new way to look at Ridley Scott’s 1979 sci-fi horror classic ‘Alien’, and once you see it, you cannot unsee it. An X user posted a theory suggesting that the film looks entirely different when viewed from the perspective of the xenomorph, drawing a series of surprisingly convincing parallels with the beloved action film ‘Die Hard’.“From the perspective of the xenomorph, ’79 Alien is basically Die Hard,” the post read. “He’s all alone, everyone is trying to kill him, including a guy with a beard, he’s crawling through air vents, it’s a Japanese company, and for all we know it’s Christmas.”
Why the comparison actually works
The connections are more compelling than they might first appear. In ‘Die Hard’, John McClane finds himself alone inside the Nakatomi Corporation building, crawling through air ducts and trying to outsmart a group of enemies while everyone attempts to take him down. In ‘Alien’, the xenomorph finds itself in a remarkably similar situation, alone aboard the Nostromo, crawling through vents and fighting back against a crew determined to hunt it down.The corporate connection holds up too. The Nostromo was a vessel operating under the Weyland-Yutani Corporation, a British-Japanese partnership, while the Nakatomi Corporation in ‘Die Hard’ is a Japanese company. Both stories, then, unfold within an enclosed space owned by a corporation with Japanese ties.Then there is the matter of the bearded antagonist. In ‘Alien’, that role falls to Arthur Dallas, played by Tom Skerritt. In ‘Die Hard’, it is the iconic Hans Gruber, brought to life brilliantly by Alan Rickman. From the xenomorph’s point of view, Dallas is as much of an obstacle as Gruber was for McClane.
Seeing the monster as the hero
What makes the post particularly clever is the question it raises about perspective. When the crew of the Nostromo first encountered the alien vessel, it was their own interference with the eggs that set everything in motion. The alien that eventually made it aboard the Nostromo was, in a sense, simply reacting to a series of events it did not choose. By the time the crew began hunting it down, the creature was alone, outnumbered, and fighting purely to survive.Reframing the xenomorph as the Die Hard hero rather than the monster does not change what ‘Alien’ is, one of cinema’s most masterful exercises in sustained dread, built on the simple but terrifying premise that in space, no one can hear you scream. But it does offer a reminder that every story looks different depending on whose eyes you are seeing it through.
